美好的星期天

简介：二十年前长孙家遭八大高手灭门，长孙盈、长孙卿带着家传武学从秘道逃脱后，追随拜火教主东方彬，分别化名孙盈、王太白，自此决心杀八大高手报仇。段小峰与王非烟继续查案，亲眼目睹蔡上将殒命，又接到了长春子的死讯。灰心丧气的段小峰回到京师偶遇假装被卖到沙洪帮的孙盈，将其带回叶家安置，当孙盈决定放弃杀叶无忌正准备离开时，却被叶无忌发现其真实身份。二人决战欲做了断，战后两败俱伤。身负重伤的叶无忌回家途中被王太白暗害。峨眉派逍遥子到六扇门奔丧，段小峰从其伤口发现，这正是那夜追杀他们的黑衣人。明白了一切的段小峰携王非烟前往拜火教总坛光明峰。正邪两派人马、以及两拨凶手齐聚，此案的真相以及二十年前的秘密被一一揭开。

简介：石笋山八仙聚aaa。八仙各有思乡之情。正巧曹国舅（景休）成仙千年，玉帝特准下界探亲一月。何仙姑陪同曹国舅来到乔迁夜宴阖家欢乐的曹家。曹家公司遇到资金问题，曹兴国又不信任自己的儿子有能力帮助自己，曹兴邦在暗地里使坏组织了老朋友对曹兴国的帮助。曹国舅和何仙姑看在眼里，急在心里，就在曹国舅想要使用法力帮助曹兴国度过难关的时候，何仙姑制止了他，以女人独有的智慧激发了曹兴国与曹景新之间的父子情，也帮曹家度过了难关。

简介：出身上流社会的茱莉亚（扎威·阿什顿 饰）被伦敦黄金单身汉马尔科姆先生（索佩·迪瑞苏 饰）拒绝，因为她不符合他对新娘的严苛要求清单上的一项。茱莉亚觉得自己受到了羞辱和排斥，于是找来朋友塞琳娜（芙蕾达·平托 饰）帮她报复马尔科姆，让他以为自己找到了完美的另一半，然后将他抛弃。　　当亨利（西奥·詹姆斯 饰）也开始向塞琳娜献殷勤，威胁到茱莉亚的安排时，这个计划似乎起了作用。随后笨手笨脚的卡西迪勋爵（奥利弗·杰森-科恩 饰）开始干涉四人复杂的关系，从未一帆风顺的真爱之路变得坎坷不平，马尔科姆先生想知道他是否找到了完美的女人，或者说是完美的骗局。

简介：A story that travels 500 years from the 1700's to 2023 about a Hero who has to fulfil a mission left unfinished.

简介：在驻村第一书记刘致康的影响带领下，金满财、酒懵子、火盆婶等人的观念转变，自立自强，告诉人们一个硬道理，幸福是干出来的，新生活是奋斗出来的。

简介：1921年，在华山脚下凤凰岭山麓的蝴蝶泉村，主人公白毛是被靠演绎皮影老腔为生的邵家班班主邵喊天在黄河岸边捡来的孩子，白毛和邵喊天的亲生儿子小华同一天来到了邵家。 祖上传下来的规矩是：老腔皮影是家

简介：露露（张兰英 饰）、弗妹（梁思敏 饰）和阿第是三名思想非常开放和先进的叛逆少女，因为不服从家里的管教，三人选择了离家出走。拥有较好面容和年轻身体的三人选择了一家模特中心打工赚钱，哪知道那里是一个淫窝，三人被迫沦为了妓女。　　弗妹不愿意屈服于命运，挺身反抗，哪知道惨遭侮辱，却因祸得福的获得了大笔金钱，她一下子就迷失在了利益之中。露露邂逅了名为罗伯特的毒贩，于是三人走上了贩卖大麻的犯罪道路。阿第在酒吧中认识了收保护费的阿诚，情窦初开的阿第渐渐喜欢上了这个男人，可是身处鱼龙混杂的欢场之中，他们的感情注定走不到最后。

简介：布米叔叔（Thanapat Saisaymar 饰）得了急性肾衰竭，因此回到乡里，边静养边等待死神来临。在乡下，他每天安静的吃饭、纳凉、看家人劳作，一个清凉的夏夜，布米叔叔、侄子和妻妹在院子里吃饭闲聊，布米叔叔去世很久的妻子竟然出现了，和他们诉说近况和多年思念，稍后，布  米叔叔失踪很久的儿子也出现了，变成了一只红眼黑毛猩猩，却没有人受到惊吓。阴阳相隔的几个人平静地拉着家常，平静的果园，平静的微风，蜜蜂每日平静的劳作，发生的一切事情都那么自然，每个风景都早在那里了，每个故事都像一个梦……　　本片获戛纳电影节金棕榈大奖。

简介：女警察刘芒办案严厉冷酷，性格野蛮，被称为流氓师姐。这天她发现了一个可疑人，她一路跟踪，发现可疑人正要进行一场大规模毒品交易，就在她打电话申请警队支援的时候，她的长官已经在交易地点部署好了一切，准备等待时机抓捕贩毒集团头目曹博。　　刘芒的意外出现，破坏了行动，打草惊蛇，曹博没抓到，只抓到几个小喽啰，卧底贩毒组织多年的警官也因此暴露，无法再继续工作。为将功折罪，刘芒等人被派出做为新的卧底继续抓捕曹博。而刘芒因为一贯鲁莽冲动的行事作风被派到一个无关紧要的地方去做卧底——学校。　　安易是学校的校草，很多女生为了追他甚至从别的学校调过来。刘芒一进校门就和安易结了梁子，安易以为刘芒也是为了追他转学过来的，还故意引起他注意。安易告诉刘芒不必白费心机，刘芒对他一脸嫌弃，但又因为保护任务必须时时刻刻跟着他，一来二去闹出不少笑话。安易的追求者钱乐乐视刘芒为情敌，处处为难她，搞得刘芒保护安易的工作也是举步维艰。

简介：丈夫长居德国，护士长普拉巴被困在有名无实的包办婚姻中，无法响应男医生对她的体贴温柔。年轻护士阿努爱着穆斯林男孩，他们无法正大光明交往，却大胆偷尝禁果。两人的共同好友因寡妇身份等不到居住正义，被迫离开城市。三名羸弱女子，在孟买巨大的喧嚣里无法留下足迹，但她们依然坚毅强韧，在父权社会的日常里，用自己的方式处理问题。

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：剧情简介暂缺，敬请期待